(De)Nature
Underdogs Gallery at Com.Horta, Comporta, Portugal, 2015
Exhibiting Artists: Olivier Kosta-Théfaine, Paulo Arraiano, Pedro Matos, Sandra Baía.
Curated by: Pauline Foessel

Pedro Matos  Even If No One Else Comes , 2015 Plywood, Cement, Acrylic 201,5 x 51,5 x 51,5cm Photo: Pedro Matos

Pedro Matos
Even If No One Else Comes, 2015
Plywood, Cement, Acrylic
201,5 x 51,5 x 51,5cm
Photo: Pedro Matos

Installation view  (De)Nature,  Underdogs Gallery at Com.Horta, Comporta, Portugal, 2015 Photo: Pedro Matos

Installation view
(De)Nature,
Underdogs Gallery at Com.Horta, Comporta, Portugal, 2015
Photo: Pedro Matos

Installation view  (De)Nature,  Underdogs Gallery at Com.Horta, Comporta, Portugal, 2015 Photo: Pedro Matos

Installation view
(De)Nature,
Underdogs Gallery at Com.Horta, Comporta, Portugal, 2015
Photo: Pedro Matos

PedroMatos  Fainter and fainter , 2015 Oil on unprimed canas, wooden stretchers, natural wood frame,  80 x 60 cm  Photo: Hubert Marot

PedroMatos
Fainter and fainter, 2015
Oil on unprimed canas, wooden stretchers, natural wood frame,
80 x 60 cm
Photo: Hubert Marot

PedroMatos  In that moment of not pretending , 2015 Oil on unprimed canas, wooden stretchers, natural wood frame,  80 x 60 cm  Photo: Hubert Marot

PedroMatos
In that moment of not pretending, 2015
Oil on unprimed canas, wooden stretchers, natural wood frame,
80 x 60 cm
Photo: Hubert Marot

(De)Nature

To denature an object, a space, a concept is rarely seen in a positive light. As if changing the intrinsic nature of things was essentially frowned upon or poorly received. What about a denaturation of cities? How can we contemplate removing the very essence of the urban space? 
While looking into the contrasts and contradictions of the urban space, Paulo Arraiano gives them new landscapes, prompting the essence of things, of bodies, by practically taking up a role of landscapist, as if he wished to return to the very beginnings of construction.

Pedro Matos and Oliver Kosta-Théfaine are witnesses and observers of the poetic moments and fragments present in this construction. By providing or restoring meaning to this space and its components, they are interested in removing them from their context, in denaturing their ephemeral character and revealing their beauty and poetics.

 A poetics that can also be found in Sandra Baía's work, by introducing into the urban space the notion of human being. By denaturing existence itself she removes its physical characteristic, stripping away the very image we have of ourselves. Through their exploration of the urban space and those who inhabit it, these four artists are playing with it, denaturing it and rendering it with a poetics and sensibility which it deserves. 

Text by Pauline Foessel.